Life at the Settlement Archive

Bringing in the Hay

Tuesday, July 20th, 2010

Hay-cutting began on the 20th (afterwards 25th) July, and the scene of operations was the wild prairie. The outer two miles of each river frontage belonged, for hay purposes, to the frontage owner up to a certain date, but for the most part cutting was done on prairie that was free as air to everybody. The best hay meadows were located in good time before the above date, and on the night before people were camped all around them. Each one knew pretty well just the spot he was going to strike next morning, and if more than one had their eyes on the same spot, it became the property of the one who reached there first and made a “circle” by cutting around the field he wished to claim. There was sometimes (in dry years when hay was scarce) great rivalry, and we have seen camps all ready to start on the stroke of midnight, and actually starting to mark out circles in a thunderstorm. We have seen a circle entered by another than the one who made it, but it was in the case of someone who had tried to circle the whole prairie for himself, and in such case the unwritten law of the camp said that it served him right. There was rarely any trouble to speak of, and we look back to the camp on the prairie with its many tents like a white village as a most delightful and health-giving experience.

One Aspect of a Farmer’s Life

Monday, July 19th, 2010
by Elizabeth Campbell

I thought this week would be a good time to look at one of the essential entries in the Red River farmer’s Day Timer. It’s an aspect of the livestock farmer’s life even to today: making hay.

Grandpa’s Egg Basket

Saturday, March 13th, 2010

by Cathie Morgan

I have in my possession my late great Grandpa Matheson’s egg basket. According to family stories, he used it to gather eggs from the hen house he and my great Grandma had in their backyard at Stony Mountain.

Alexander Matheson's Egg Basket c. 1920

Alexander Matheson's Egg Basket, used c. 1920. Photo: E. Campbell

Selkirk’s Ulterior Motives – Part 2

Thursday, March 11th, 2010

by Elizabeth Campbell

The second in Ross’ list of reasons Selkirk had for establishing the Red River Settlement fits hand in glove with the first. Considered together, these motives set an image in the mind’s eye of a greedy British aristocrat, sitting in his counting house, rubbing his hands in glee as the gold pours in. And a lot of people still see the Fifth Earl of Selkirk in that light. But I will get to that later…

Presbyterian Church Served Red River Settlers

Monday, February 1st, 2010

by Elizabeth Campbell

An interesting article about Kildonan Church appeared in the Winnipeg Free Press this weekend. If you would like to read the online version of the article, please visit the Winnipeg Free Press website.

Thanks to Cathie for the heads up!

The Hayes River Route

Saturday, November 28th, 2009
by James Munroe

Map from Canadian Heritage Rivers System (www.chrs.ca)

The Hayes River was a major route used by fur traders and native people. This was also the way the Selkirk Settlers took to reach Lake Winnipeg and then the Red River Settlement, after landing off Hudson’s Bay. The river begins near Norway House and runs NE through Oxford and Knee Lakes, reaching Hudson’s Bay at York Factory, a distance of 600 kms.

Peter Rindisbacher 5

Saturday, November 21st, 2009
by Elizabeth Campbell
Peter Rindisbacher c. 1834. Self Portrait

Peter Rindisbacher c. 1834. Self Portrait

Peter Rindisbacher 4

Friday, November 20th, 2009
by Elizabeth Campbell

A few more Rindisbachers related to the RRS:

Métis Family ca. 1826 (Bata Shoe Museum P80.982)

Métis Family ca. 1826 (Bata Shoe Museum P80.982)

 	Chippewa mode of traveling in spring and summer by Peter Rindisbacher c. 1825 (Virtual Museum of Canada)

Chippewa mode of traveling in spring and summer by Peter Rindisbacher c. 1825 (Virtual Museum of Canada; West Point Museum Art Collection)

Peter Rindisbacher 3

Thursday, November 19th, 2009
by Elizabeth Campbell

Peter Rindisbacher was the first artist of European descent to portray the First Nations people of the Great Plains. He was meticulous in recording the detail of their garb and ornaments, and was recorded as painting very accurate likenesses, also.

Peter Rindisbacher 2

Wednesday, November 18th, 2009
by Elizabeth Campbell

The young Swiss artist Peter Rindisbacher always practiced his skills using materials at hand. People who knew of his gift and were in a position to supply him with paint often did. He preferred watercolours, and he often sketched in ink his subject prior to completing a painting. Rindisbacher sometimes used these sketches or studies to create several paintings, which he would sell to HBC employees, military or government officials and publishers.

December 2010 Newsletter Out!

January 10th, 2011

Just to let everyone know that the latest Newsletter is on it’s way. If you subscribe to the Electronic version and haven’t yet received y... Read More »


Electronic Newsletters Out!

April 4th, 2010

Just to let members on the Electronic Newsletter subscription list know that it has been emailed. If you believe you are on the list, but have not rec... Read More »


Tartan Day – 6 April 2010

March 26th, 2010

All TLSARL members and Red River Settlers’ Descendants are invited to attend! For more information, contact George through the Contact Us Form.... Read More »




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